Name: Post-War French Popular Music: Cultural Identity and the Brel-Brassens-Ferré Myth (Ashgate Popular and Folk Music Series) (en Inglés)
Price: 166.23 PEN
Availability: InStock
Author: Adeline Cordier
ISBN: 9780367669355

portada Post-War French Popular Music: Cultural Identity and the Brel-Brassens-Ferré Myth (Ashgate Popular and Folk Music Series) (en Inglés)

Formato

Libro Físico

Editorial

Routledge

Autor

Adeline Cordier

Idioma

Inglés

N° páginas

184

Encuadernación

Tapa Blanda

ISBN13

9780367669355

N° edición

Post-War French Popular Music: Cultural Identity and the Brel-Brassens-Ferré Myth (Ashgate Popular and Folk Music Series) (en Inglés)

Adeline Cordier (Autor) · Routledge · Tapa Blanda

Libro Nuevo

S/ 166,23

S/ 332,45

Ahorras: S/ 166,23

50% descuento

Envío normal

Origen: Estados Unidos (Costos de importación incluídos en el precio)

Se enviará desde nuestra bodega entre el Jueves 01 de Agosto y el Martes 13 de Agosto.

Lo recibirás en cualquier lugar de Perú entre 2 y 5 días hábiles luego del envío.

Reseña del libro "Post-War French Popular Music: Cultural Identity and the Brel-Brassens-Ferré Myth (Ashgate Popular and Folk Music Series) (en Inglés)"

Jacques Brel, Georges Brassens and Léo Ferré are three emblematic figures of post-war French popular music who have been constantly associated with each other by the public and the media. They have been described as the epitome of chanson, and of 'Frenchness'. But there is more to the trio than a musical trinity: this new study examines the factors of cultural and national identity that have held together the myth of the trio since its creation. This book identifies the combination of cultural and historical circumstances from which the works of these three singers emerged. It presents an innovative analysis of the correlation between this iconic trio and the evolution of national myths that nurtured the cultural aspirations of post-war French society. It explores the ways in which Brel, Brassens and Ferré embody the myth of the left-wing intellectual and of the authentic 'Gaul' spirit, and it discusses the ambiguous attitude of post-war French society towards gender relations. The book takes an original look at the trio by demonstrating how it illustrates the popular representation of a key issue of French national identity: the paradoxical aspiration to both revolution and the maintenance of the status quo.