Name: Imagination in German Romanticism: Re-thinking the Self and its Environment (en Inglés)
Price: 288.55 PEN
Availability: InStock
Author: Riou, Jeanne
ISBN: 9783039102693

portada Imagination in German Romanticism: Re-thinking the Self and its Environment (en Inglés)

Formato

Libro Físico

Autor

Jeanne Riou

Editorial

Peter Lang Ltd, International Academic Publis

Idioma

Inglés

N° páginas

266

Encuadernación

Tapa Blanda

Dimensiones

22.4 x 15.0 x 1.8 cm

Peso

0.41 kg.

ISBN13

9783039102693

Categorías

Alemania
Historia y crítica literaria
Filosofía estética

Imagination in German Romanticism: Re-thinking the Self and its Environment (en Inglés)

Jeanne Riou (Autor) · Peter Lang Ltd, International Academic Publis · Tapa Blanda

Libro Físico

S/ 288,55

S/ 577,11

Ahorras: S/ 288,55

50% descuento

Envío normal

Origen: Reino Unido (Costos de importación incluídos en el precio)

Se enviará desde nuestra bodega entre el Miércoles 24 de Julio y el Miércoles 07 de Agosto.

Lo recibirás en cualquier lugar de Perú entre 2 y 5 días hábiles luego del envío.

Reseña del libro "Imagination in German Romanticism: Re-thinking the Self and its Environment (en Inglés)"

In German Romanticism, the imagination is the site of the encounter between the subject and its environment; this book examines that encounter. Dealing with both literary and philosophical texts, it argues that the Romantic imagination performs a critique of rationalism. In reflecting on the fragmentary, the Romantics require the reader to both imagine and to question this as a hermeneutic process. As such, they understand writing to be an experiment in memory, both individual and cultural. This book is a study of the writings of E.T.A. Hoffmann, Novalis, Tieck and also of the utopian project of Romanticism itself. Methodologically, it is informed by what Foucault termed the archaeological approach to discourse as well as by psychoanalysis and literary theory. Examining points of contact as well of divergence between Kantian epistemology and Romantic nature philosophy, it also highlights the correspondences between literature, philosophy and science. Above all, it treats Romanticism as an experiment in the portrayal of ambivalent modern identity.