Name: Image in the Making: Digital Innovation and the Visual Arts (Thinking Art) (en Inglés)
Price: 510.23 PEN
Availability: InStock
Author: Thomson-Jones, Katherine
ISBN: 9780197567616

portada Image in the Making: Digital Innovation and the Visual Arts (Thinking Art) (en Inglés)

Formato

Libro Físico

Autor

Katherine Thomson-Jones

Editorial

Oxford University Press, USA

Idioma

Inglés

N° páginas

152

Encuadernación

Tapa Dura

Dimensiones

21.8 x 14.8 x 1.8 cm

Peso

0.30 kg.

ISBN13

9780197567616

Categorías

Arte digital
Epistemología y teoría del conocimiento
Filosofía estética

Image in the Making: Digital Innovation and the Visual Arts (Thinking Art) (en Inglés)

Katherine Thomson-Jones (Autor) · Oxford University Press, USA · Tapa Dura

Libro Nuevo

S/ 510,23

S/ 850,39

Ahorras: S/ 340,15

40% descuento

Envío normal

Origen: Estados Unidos (Costos de importación incluídos en el precio)

Se enviará desde nuestra bodega entre el Martes 16 de Julio y el Jueves 25 de Julio.

Lo recibirás en cualquier lugar de Perú entre 2 y 5 días hábiles luego del envío.

Reseña del libro "Image in the Making: Digital Innovation and the Visual Arts (Thinking Art) (en Inglés)"

Human beings have always made images, and to do so they have developed and refined an enormous range of artistic tools and materials. With the development of digital technology, the ways of making images - whether they are still or moving, 2D or 3D - have evolved at an unprecedented rate. Atevery stage of image making, artists now face a choice between using analog and using digital tools. Yet a digital image need not look digital; and likewise, a hand-made image or traditional photograph need not look analog. If we do not see the artist's choice between the analog and the digital, what difference can this choice make for our appreciation of images in the digital age? Image in the Making answers this question by accounting for the fundamental distinction between the analog and the digital; by explicating the technological realization of this distinction in image-making practice; and by exploring the creative possibilities that are distinctive of the digital.Katherine Thomson-Jones makes the case for a new kind of appreciation in the digital age. In appreciating the images involved in every digital art form - from digital video installation to net art to digital cinema - there is a basic truth that we cannot ignore: The nature and technology of thedigital expands both what an image can be as an image and what an image can be for us as human beings.