Name: Art and Independence: Yg Srimati and the Indian Style (en Inglés)
Price: 175.63 PEN
Availability: InStock
Author: Guy, John
ISBN: 9789385360404

portada Art and Independence: Yg Srimati and the Indian Style (en Inglés)

Formato

Libro Físico

Autor

John Guy

Editorial

Mapin Publishing Pvt

Idioma

Inglés

N° páginas

144

Encuadernación

Tapa Dura

Dimensiones

30.2 x 21.8 x 2.0 cm

Peso

1.16 kg.

ISBN13

9789385360404

Categorías

Asia meridional (subcontinente indio)
Historia del arte
Monografías sobre el arte
Historia de asia

Art and Independence: Yg Srimati and the Indian Style (en Inglés)

John Guy (Autor) · Mapin Publishing Pvt · Tapa Dura

Libro Físico

S/ 175,63

S/ 351,27

Ahorras: S/ 175,63

50% descuento

Envío normal

Origen: Reino Unido (Costos de importación incluídos en el precio)

Se enviará desde nuestra bodega entre el Miércoles 24 de Julio y el Miércoles 07 de Agosto.

Lo recibirás en cualquier lugar de Perú entre 2 y 5 días hábiles luego del envío.

Reseña del libro "Art and Independence: Yg Srimati and the Indian Style (en Inglés)"

- Offers a historical corrective to re-establish the legacy of YG Srimati, one of modern India's finest artists - At a time when there is renewed interest in the voices and works of women artists, this volume takes us through the life and genius of one such artist from India - This volume offers an insight into the way that styles and trends influence the art world, with artists falling out of favor for complex reasons that have nothing to do with talent - Beautifully illustrated with nearly 130 images The career of Y.G. Srimati - classical singer, musician, dancer and painter - represents a continuum in which each of these skills and experiences merged, influencing and pollinating each other. Born in Mysore in 1926, Srimati was part of the generation much influenced by the rediscovery of a classical Sanskrit legacy devoted to the visual arts. Soon swept up in the nationalist movement for an independent India, she was deeply moved by the time she spent with Mahatma Gandhi. For the young Srimati, the explicit referencing of the past and of religious subjects came together in an unparalleled way, driven by the conscious striving for an indigenous agenda. This experience gave form and meaning to her art, and largely defined her style. As John Guy demonstrates in this sumptuous volume, as a painter of the mid and late twentieth century, Y.G. Srimati embodied a traditionalist position, steadfast in her vision of an Indian style, one which resonated with those who knew India best.